"[I]t’s like what I always argued about Pop art, how people who saw its upsurge in the early sixties as a refutation of abstract expressionism or a turning back to figuration were getting it all wrong. Rather, it was a case of taking the lessons of abstract expressionism, that heightened overall focus over the entire picture plane, the further leavening of such hierarchies as figure and ground, and taking that aesthetic back into the world, applying that way of seeing to the most common objects in the world, taking, say, a humble, meaningless Campbell’s Soup can and lavishing that sort of even attention on it, too."

Robert Irwin in VQR